Akame ga Kill!

Night Raid is the covert assassination branch of the Revolutionary Army, an uprising assembled to overthrow Prime Minister Honest, whose avarice and greed for power has led him to take advantage of the child emperor's inexperience. Without a strong and benevolent leader, the rest of the nation is left to drown in poverty, strife, and ruin. Though the Night Raid members are all experienced killers, they understand that taking lives is far from commendable and that they will likely face retribution as they mercilessly eliminate anyone who stands in the revolution's way.

This merry band of assassins' newest member is Tatsumi, a naïve boy from a remote village who had embarked on a journey to help his impoverished hometown and was won over by not only Night Raid's ideals, but also their resolve. Akame ga Kill! follows Tatsumi as he fights the Empire and comes face-to-face with powerful weapons, enemy assassins, challenges to his own morals and values, and ultimately, what it truly means to be an assassin with a cause.

[Written by MAL Rewrite]

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Background

Akame ga Kill! is the anime adaptation of Takahiro's shounen manga of the same title, which is illustrated by Tetsuya Tashiro and was serialized in Square Enix's Gangan Joker from April 2010 to December 2016. The anime follows the source material through the first eight volumes of the manga, incorporating events from later issues as well, before concluding with an original story arc that deviates from the manga.

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Related Anime

Adaptation:	Akame ga Kill!
Other:	AkaKill! Gekijou
Summary:	Akame ga Kill! Recap

Ohashi, Ayaka
Japanese

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Staff

Miyake, Masanori

Producer

Yamanaka, Kazutaka

Producer

Yoshizawa, Takashi

Producer

Kobayashi, Tomoki

Director

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Opening Theme

	1: "Skyreach" by Sora Amamiya (eps 1-14)
	2: "LIAR MASK" by Rika Mayama (eps 15-24)

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Ending Theme

	1: "Konna Sekai, Shiritakunakatta. (こんな世界、知りたくなかった。)" by Miku Sawai (eps 1-14)
	2: "Tsuki Akari (月灯り)" by Sora Amamiya (eps 15-24)

Reviews

Dec 15, 2014

HelghastKillzone

Recommended

Produced by White Fox Studios as 24 episode series, Akame ga Kill! is the anime adaptation of an unfinished manga that follows the exploits of an assassination group looking to overthrow the corrupt empire. While it doesn't even have good writing or the proper foundations, there is no denying that this show takes its audience for a wild ride that is filled with bloodshed and explosions.

Set in a fantasy world, Akame ga Kill! begins with a talented but rather naive swordsman named Tatsumi, arriving in Empire's capital city and dreaming of making a name for himself. He quickly finds himself being stripped ...

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Dec 14, 2014

lollith

Mixed Feelings

One misconception in the anime industry is that when a show is dark and contains excessive amounts of gore. Many people automatically think the show is deep and thought provoking. The problem is that many anime studios get so hung up with making the show as badass and dark as possible that they forget about the more important problems that might plague the show, like character development and pacing.

Akame Ga Kill is a great example of this problem.

The story follows Tatsumi, a countryside boy that travels to the capital to join the military and earn money to send to his village suffering from poverty.To ... him the capital is a place filled with opportunities and a happy life. But after reaching the capital he soon realizes exactly how corrupt the capital is. After certain events he is recruited by Night Raid, A group of assassins that wish to overthrow the government and end this corruption.

On the surface Akame ga Kill does seem to be different from other shounens because of it's dark theme and excessive gore. But when you look a little bit deeper Akame ga Kill is actually pretty similar to other stereotypical shounens. You have characters always blurting out the obvious. You have the naive yet strong protagonist that powers up over time. You have almost all of the female characters fall for the protagonist. Akame ga Kill tries to be different show with it's dark theme, but looking at it closer there isn't much difference.

Probably one of the more prominent problems in Akame ga Kill is the comedy. The problem isn't in the comedy itself. (Though I admit most of the humor was stale) but rather the execution. Apparently someone thought it was a good idea to slide in a petty joke in many emotional or dramatic scenes. Probably the best example of this would be a scene where Tatsumi finds out about the corruption in the capital and mourns over his loved ones that died to this corruption. This was supposed to be a very emotional scene but then Night Raid kidnaps Tatsumi and makes petty jokes along the way. It is scenes like this that make me unable to take the show very seriously.

The characters in the show are filled with problems too. Tatsumi isn't really much different from other stereotypical male leads. He's strong, kind, and has a great sense of justice. Something we see in pretty much any other male lead for a stereotypical shounen. The other characters in Night Raid don't fare much better either. You have Mine the tsundere, Bulat the "Aniki" type. Shelle the klutz, Leone the "Onee-san" type, Lubbock the perverted guy, and Akame, the cold assassin. Now considering the show has Akame's name in the title. You would expect Akame to be one of the most important characters of the show. Sadly, the only background we do get to know about Akame is her backstory. She didn't seem to have much development and emotions except for a few scenes.Almost all of the characters feel pretty one-sided and unoriginal. There are two new additions to Night Raid later on in the show. Chelsea and Susanoo. And probably out of all of the characters in Akame ga Kill, I found Chelsea to be the most memorable.Why? Because she actually feels realistic. Although Chelsea seems to be very confident and powerful. She is just like any other girl at her age. She likes to use make up, she has her own beliefs, and she felt like an actual person.

On the other side you have the Jaegars. A special squad led by General Esdeath which goal is to anhiliate Night Raid and any other group that resists against The Empire. The Jaegars seem to be an awkward bunch. You have Bols, who looks like a psychotic murderer with a mask. Kurome, who apparently loves to eat. Dr.Stylish, a crazy mad scientist. That doesn't mean there aren't normal people there. There is Wave who doesn't really have any special qualities and Run, who seems to be the calm and collected person in the group.

And then there's Seryuu...

If there was a person who could embody the word "crazy". Seryuu probably fits the word perfectly. Probably the most hated character in the entire show. Seryuu is a person who has a completely twisted view on justice. She believes that everything the empire does is right and that everyone who goes against the empire is evil. Now although she is indeed twisted as hell and it is a normal response to hate her guts. I find that she brings a different point of view to the word "justice" in the show. To her the empire is her sense of justice. This outlines the different sense of justice between the two groups and what they are fighting for. Something that the show fails to do in many other places.

The characters of Jaegar mostly seemed to be interesting to me, but lack of character development led them to be pretty underwhelming characters. An exception to this would be Esdeath. Probably the most popular character of the show. Esdeath is loved by viewers for her icy demeanor, beauty, and her love of battle. She kills only because of her lust for war and her sadistic nature. She does have a softer nature too, as can be seen when she is searching for love.

One thing that I find annoying with Akame Ga Kill is apart from the Jaegars (which mostly were pretty average). Every other villain was bland,exaggerated, and unoriginal that I couldn't help but laugh when I saw them. Most of the supporting villains are either complete psychos or are so obsessed with power that they don't even seem human. This does get better after the introduction of the Jaegars but is it really too much to ask to get a decent villain that I can take seriously?

The part that makes Akame ga Kill "different" from other average shounens is that unlike other shounens, characters die and although this is apparently what makes Akame ga Kill "special". This is exactly what makes Akame ga Kill fall short. The problem is that characters don't get nearly enough development before there death.It is usually give the character some screen time in the previous episode. Give them a flashback on there backstories, and send them off. Killing off characters isn't a bad thing at all. In fact, this is exactly what I want from shounens with main characters that either get revived or are invincible. But at least give the characters enough development to actually make the viewers feel something, or else the death scenes feel meaningless.

The first opening of Akame ga Kill "Skyreach" is pretty average to be honest. Sure it isn't bad but the song just isn't much better than other opening songs. The second opening is a big step up from the first one with the early part sounding quiet and gentle, but slowly grows into a louder song with guitars and the chorus. Which I found to be pretty fitting to the show. Both the ending songs are pretty good,both bringing contrasts to the opening with softer, smoother tunes.The soundtrack ranged from average to pretty good. The songs in the battle scenes weren't anything special but did there jobs of increasing the tension, but the the best parts are the piano tracks for the moments of death.The piano tracks were pretty simple and weren't complex at all, but the tune the tracks carried brought out the tone perfectly.

The animation is mostly pretty good.I guess the best word would probably be "efficient". Akame ga Kill looks good where it counts and it cuts back in parts that weren't that important. And I respect that. Not every anime has a gigantic budget to work on. (Unless its from KyoAni). The fight scenes looked great and although there were a few scenes that were cut back. Those scenes were mostly negligible and not very noticable.

Now it may seem like I hate the show due to all of my criticism towards the show, but on the contrary. I did enjoy the show to a certain extent. The show isn't terrible by any means, but there were just so many places where Akame ga Kill could have improved on that I find it a shame that it wasn't adapted better. That said though, this show isn't for everyone. If you don't like excessive gore and killing then feel free to steer away from the show. But if you like dark themes and don't have a problem with watching some blood. Akame ga Kill isn't a terrible choice. (Can't say its a great one though.)

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Feb 10, 2015

ZephSilver

Not Recommended

A lot can be said about a show's 1st episode. It's our first encounter with the world presented, and could often be used to gauge whether or not the content on display could be something that would interest you moving forward. Of course, this isn't to say that that's always the case, but for the most part, it serves as a helpful jumping off point and is often the reason why studios place so much stock on its television pilot. And nowhere is that more evident than with Akame ga Kill! With just one episode, it manages to establish a myriad of things, all of ... which interesting in their own right, but perhaps more entertaining when viewed as a whole. There's comedy, fanservice, ultraviolence, corrupt politics, eccentric characters, melodrama, and a sleuth of other tidbits littered throughout. All of these aspects by themselves are fine, but it's the assembly in which these ideas are presented that gives way to content that's comedically problematic.

Like ingredients for food, it's not a matter of what you have to work with but what you choose to make out of it. In the hands of capable creators, I'm sure all the elements of Akame ga Kill could have been turned into something of high-end value, but to no one's fault but its own, what this title decides to do instead of measuring out its ingredients was to dump it all in at once with no rhyme or reason. A tasty stew in the hands of credible creators was effectively turned into a cauldron of foul witches brew. A slimy substance bubbling up, one that sees gruesome deaths followed by comedic fanservice, politics served on a platter layered in melodrama, reanimated corpses of shows prior refusing to die off, their festering lack of "character" like primordial ooze, desperately seeking out originality to munch down on. A Schlocky, sleazy freak of a thing, over-the-top, and violently lashing out, its drool dripping with hackneyed writing and a complete disregard for decency as it spazzes about on the floor.

What we have here was a Frankenstein of lowbrow content, and boy was it entertaining!

The story is very straightforward, if only by design. A corrupt kingdom takes advantage of their citizens through tyrannical rule, and to fight against this oppression, rebel forces send aid by hiring a band of assassins tasked with killing off high-ranking members of the capital. It's like Assassin's Creed, but with a lot more boobs and nakama power involved. Our protagonist, PussyBetaMale-kun, or Tatsumi, if you prefer, joins this hit squad.

The goal of these rebel forces are pretty basic; overthrow the governing body and establish a new order of equality. Seems like a simple enough story to execute right? Well, that's where you'll be sorely mistaken, with AGK, plunging your IQ down a few pegs is the only way to keep up with its scatterbrained thought process when it comes to figuring its own shit out. In substitution of a fairly paint-by-numbers plot, AGK decides to globetrot across its world, not out of a need to explore anything, no, that would be too "smart," but solely for the sake of encountering as many comedically vile people as possible. And in that regard, its meandering was a success. In place of a rebel uprising, what we got in its stead was a bunch of superpowered edgelords engaging in giant cockfights to see who was the strongest. Assassin Super Bowl was in full swing, and while they were duking it out like reject members of a Mad Max film, the highborn nobles were strolling along in the background, torturing its citizens with so much glee that you can't help but root for their cartoonish villainy.

The setting was never explored, feeling equally perfunctory as the characters inhabiting it. Attributes of its world bullying the audience into accepting it for what it is. Wild monsters with no domestic quality to their world and flying Manta-rays; just accept it. Giant mecha in a medieval setting with no prior inclusion of advanced technology; just accept it. Macroeconomics that's impossible to exist when the aristocratic class torture and kill their citizens, effectively crippling its economy's breadwinners; just accept it. Supernatural occurrences that happen at one minute to simply be forgotten by the next; you get the drill, just accept that shit.

They didn't even bother to properly flesh out the city or corresponding areas that our characters navigated across. Deciding to only let it serve as a backdrop for the Assassin Super Bowl to play out seemed to be the unified thought process that the creative team all collectively arrived at. And when that isn't enough to keep the viewer's interest, the show places a character's neck on its Guillatine chopping block, where it turns these Mad Max rejects into blood-splattered firework displays to keep things entertaining. All you end up remembering them for was their deaths and not who they were as people. But who got time to worry about proper characterization or decent writing? Fuck it! On with the show! More shocking deaths, more blood, more ultraviolence, more more more!

Crimson blood-spray animated with such vigor that it makes it readily apparent that the people behind this project are having as much fun slaughtering their cast as we as viewers get from watching them die. In a way, it's like this show's animators were a part of the noble class themselves, as they hyper-fixate on bringing these death sequences to life. Sadly, when no one is being turned into blood confetti, the actual quality of the animation drops off significantly. Stiff body motion. Lazily panning across flat landscapes. Shading devoid of effort or care. Scene compositions setup with zero creative foresight; all of it expressed with complete apathy. As if it was an impatient child twiddling its thumbs waiting for the director to give it the green-light for the next fight sequence or public execution to occur.

The same also applied to the soundtrack which was painfully uninspired. Tunes humming along without an inkling of interest shining through. A type of "pretending to care" in the way the orchestrations felt oddly familiar-sounding to many things heard in the past. But unlike the animation department, the disinterest expressed here was actually surprising once you discuss the person responsible for the bringing it together. Taku Iwasaki is not an amateur. This is a man with years under his belt. Why this wasn't audibly expressed was a bit perplexing, but then again, this is coming from a show named "Akame" ga Kill, where the titular character only gets 5 episodes worth of screentime. They must have been fans of The Legend of "Zelda" games to come up with such an absurd name choice.

The moment you start trying to "figure out" AGK's issues is the moment you're "doing it wrong," so let's proceed to dispell that idea right now by asking the impossible question: what the "purpose" behind this wonderful work of artistic vandalism was.

So what was it about? An active effort to discuss subserviency in society? The oppressive consequence that occurs when "absolute power corrupts absolutely?" A tale of personal ideals clashing, resulting in bloody politics? A sobering story of discrimination?... Well, honestly speaking, no. It was about none of that. Overthinking anything that AGK does would be no different than waxing philosophical for the reason behind Patrick Star's Hawaiian shorts. There's no pretense behind AGK's actions, and as long as the viewer doesn't graft any grandiose ideas onto it, it could be enjoyed for what it truly is: schlocky, over-the-top deaths with shounen characters that had the stylistic sensibilities of a seinen but the emotional authority of a 15-year-old's wet dream.

And you know what? That's just fine. I sure had fun watching it. A silly thing, flailing about with no sense of purpose or integrity. A good ole dumb time to be had, IQ-reducing, but worth every popped brain cell.

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Akame ga Kill!

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Information

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Available At

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Streaming Platforms

Synopsis

Background

Visit MALxJapan MALxJapan -More than just anime-

Related Anime

Characters & Voice Actors

Staff

Opening Theme

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Reviews

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